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March 2020:

My story So Far Over the Rainbow the Rainbow is a Fucking Dot was awarded second place in the Reflex Flash Fiction Competition

Judge Barbara Byar had this to say:


I was initially wary of the title, anticipating an angry rant without much finesse but, boy, was I wrong. I was also initially sceptical of the colour device and fairly certain it would fail but again, spectacularly wrong.

This piece begins innocuously enough despite the blood reference but the colours are stabbing exclamation points in a building disdainful rage. So much information and backstory is conveyed in the carefully selected details. I was the seething narrator and by the end of the piece, wanted to stick a knife in her partner.

Again, the title does a lot of work on numerous levels and the author skillfully manipulates the reader’s emotions through rising tension. The continuous reminder that I was in the narrator’s point-of-view again, might have misfired, but instead, succeeds in me identifying completely with the woman’s emotional state.

Emotive. Masterful use of language. Great piece.

I had a micro shortlisted in the National Flash Fiction Day competition, for the third year running


February 2020:

My story Some Things in and Out of the Garden at the Smith Family Barbecue was longlisted in the Mslexia flash fiction competition

January 2020:

Another nomination for Cleft, this time my Bath flash winning story has been nominated for Best Small Fictions

I am the first quarter judge for the Retreat West Flash Fiction competition. My chosen theme is ‘abandoned’

My Personal Anthology – 12 of my favourite short stories was published on – a brilliant resource for short fiction lovers

November 2019: 

A bumper month for nominations, thank you so much to the editors.

Pushcart Prize nominations from Liminal Residency for There’s a Merman Under the Log Flume at Alton Towers, from Ellipsis Zine for Before the Nose, from Bath Flash Fiction for Cleft and from Virtual Zine for The Life She Gave Me 

Best Microfictions nomination for Great Sorrows are Mute from National Flash Fiction Day

October 2019: 

I attended the Liminal Residency Alton Towers book launch and read my piece There’s a Merman Under the Log Flume at Alton Towers

September 2019:

I had two stories selected for the BIFFY 50 – a list of the best British and Irish flash fiction of the year. The editors chose The Pelt Collector from MoonPark Review and Al fine / To The End from Train Lit Mag

Two of my stories were nominated for Best of the Net – The Hardest Thing In This World Is To Live In It from Barrelhouse and To My Three Year Old, Naked in the Bath from Ellipsis.

August 2019:

I performed at the Edinburgh Fringe as part of That’s What She Said – an incredible experience.

Another Close But No Cigar shoutout in the Molotov wild flash contest.

My story, Something Like Drowning, won third prize in the Anton Chekov Award for Very Short Fiction, run by National Flash Fiction Review. Judge Angela Readman had this to say:

What struck me about Something Like Drowning was how incredibly well structured it is. It’s wonderfully vivid and startling at the beginning, daring the reader to come on this journey. It almost felt dangerous to follow these characters, so much seemed st stake, yet it was impossible to look away. I had no idea what would happen, yet the writing is so strong I knew I was in safe hands. The story delivered. 

June 2019: My story Cleft won the 12th Bath Flash Fiction Award, judged by Christopher Allen.

Interview with Gaynor Jones, first-prize winner, June 2019 Award

The Thing Between Your Legs longlisted for the Wigleaf Top 50. Read the final selections here:

My story, What 20p Will Get You in the Year of Our Lord, 1996 was highly commended in the Federation Writers Scotland competition

May 2019: Close But No Cigar shout out in the Molotov Cocktail Flash Legends competition.

April 2019: I attended the Liminal Residency at Alton Towers, read my on-site interview here:

My self-published flash fiction pamphlet, Business As Usual received a special mention in the short story collection category at the Saboteur Awards.

March 2019: A busy month for competitions! Shortlisted for both the Flash 500 and TSS Flash Fiction competitions. Highly commended in the National Flash Fiction Day micro competition. Read my piece here:

Also in March, I performed a feature set at That’s What She Said Manchester and was a guest performer with the Real Story at the Not Quite Light Festival.

February 2019: I won joint first prize in the Funny Pearls micro competition. Read my piece here:

January 2019: My second Close But No Cigar in a Molotov Cocktail flash competition. I headlined at Verbose spoken word night alongside Rosie Garland and Michael Conley. I launched my limited edition print flash fiction pamphlet, Business As Usual, which sold out within 6 weeks!

Here’s a write up of the launch by Ellipsis:

Here’s a review of the book by Storgy:

And here’s a wonderful reader review from the very talented, multi-prize winning writer Fiona J Mackintosh (

Gaynor Jones “Business As Usual” – These stories are confident and accomplished right out of the gate. Starting with the opening story Girls Who Get Taken, we’re in the realm of women wrestling with the complication of their bodies. Bodies that both repel – “‘Close your legs, you stink of fish’” – and attract the worst sort of attention – “His arm appeared from nowhere. Tight around your neck… You let him lead you from the bus stop. Rigid. Frozen. Like this snow, just beginning to fall.”
In The Thing Between Your Legs, a bushel of sisters try to puzzle out the mystery of their vaginas. “Mother kept her legs crossed – always at the ankle, never at the knee. But there were six of us, plus the dead baby, so we knew she had opened them up plenty.” And in To My Three-Year-Old, Naked in the Bathtub, a mother worries about the pressures her daughter will face as she gets older, “These are some things you don’t yet know. To suck in your belly. To pull at the flab of your thighs as you stand in front of a mirror and measure the lack of space between them.” In the masterful Blue is a Feeling as Well as a Colour, a woman with post-partum depression comes upon a beached whale and imagines riding her out into the ocean, “The water fills me, fills my stomach, kicks and swirls inside me. Like it was before, before I knew how bad it could be.”
From a wrenching story of infertility (Ripe/Unripe) to the loss of a baby by adoption (The Price You Pay), Jones’ women suffer, but you never feel they will crumble. Even when vulnerable, they seem to possess a deep, infinite strength.
The stories vary in style from realist to surreal, which keeps the reader intrigued. And they also vary in length, which is desirable as too many 300-word or 500-word stories in a row can start to feel metronomic. It’s a fabulous collection – highly recommended. 
Mini interview with Tommy Dean as part of his legendary flash interview series, a real honour to be asked. Read it here:


Originally posted 2018-06-04 15:41:38.

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